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The film is also about her family’s history, and that of Canada. If you’ve seen her before you’ll know what I mean. Throat singing is a traditional Inuit art form, but she also experiments with it, in a unique, highly sexual, sensual, visceral, animalistic and at times even supernatural voice. It’s experimental, avant-garde music interspersed with stories and poems recited as part of the concert. Ever Deadly documents a performance accompanied by musicians and singers. Tanya Tagaq is an Inuit throat singer and performance artist from Nunavut. I want to see it because it’s directed by Wang Xiaoshuai, who is an under-appreciated but skilled and thoughtful filmmaker.
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It’s a TV show, something I rarely bother to watch at TIFF, and I know nothing about it, but the reason I want to see it is it’s directed by Lars von Trier, and I’ll watch anything he makes, no matter how painful.Īnd finally I hope to catch The Hotel, about a bunch of Chinese people stranded in a hotel in Thailand during 2020’s Spring Festival, just as the pandemic lockdown hit. The Kingdom Exodus is about a weird Danish hospital. It stars Rooney Mara, Claire Foy, Jessie Buckley, Sheila McCarthy, Frances McDormand, but I really want to see it because it’s directed by Sarah Polley. Women Talking is based on a book by Mirriam Toews about a Mennonite-type colony. Why do I want to see it? I’m just really curious to see what he did. Steven Spielberg has a world premier at TIFF with The Fablemans, his first autobiographical movie.
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I want see it because it stars Kelvin Harrison Jr, one of the best new actors around who creates an entirely new character for each movie he’s in to the point he’s virtually unrecognizable. There’s throat singing in the far north and a new telling of history, far, far south of the equator.īut first here are a few other TIFF movies I can’t wait to see.Ĭhevalier (Stephen Williams) is about a little-known Guadaloupe-born composer in Paris during Mozart’s era. This week I’m talking about two new movies playing at TIFF, both on indigenous peoples in the two antipodes. That’s just on this weekend, so if you’re in Toronto, you should drop by. This is pre-recorded so I can’t promise that’s what it will be but that’s prediction.
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On stage, there are free concerts, and there are always sponsors handing out free samples to munch on, street performers, people dressed up, fans waiting to photograph arriving celebrities, the whole kit and kaboodle.
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Even if you’re not up to going indoors yet, they’re showing outdoor screenings of classic movies. It’s called the TIFF Experience (whatever that means) and you can experience it right now, if you go down to King Street West in Toronto, between Peter and University.
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They’re sticking a toe in the water to see how it feels. It felt more like a simulacrum than an actual event. You couldn’t turn to the stranger sitting beside you and ask what did you think of this movie. When the anti-piracy laws popped up on your home screen, there was no crowd there to say Grrrrr. No celebs, no parties, no volunteers, no lineups, and no red carpets. Yes, TIFF didn’t actually stop over the past two years - there were some great films online in 2020 and some in-person shows during last-year’s hybrid version, but very few people were in actual attendance. TIFF, the Toronto International Film Festival is back again with guns ablazin’, after a two-year hiatus. Hi, this is Daniel Garber at the Movies for and CIUT 89.5 FM. I spoke with Lauren and Sam on-site at #TIFF22. and Nairobi-based Sam Soko’s film Softie was a big hit at Toronto’s Hot Docs International documentary film fest.įree Money had its world premiere at TIFF. Lauren DeFilippo’s film acclaimed doc Ailey played theatrically in Toronto and across North America. The film is directed by two award-winning documentarians. The film was made over many years tracing changes in the villagers, concentrating on the lives of three villagers. But what’s the catch? And what do they mean by “free money”?įree Money is a new documentary that looks at the effects of UBI, Universal Basic Income, on the people who receive it, and those who don’t. But the latest one tries a different tact: They’re offering a monthly stipend paid to all adult members of the village for over a decade, to see if this transforms their lives. Various foreign NGOs have come and gone over the years, leaving poverty and disappointment in their wake. Some of the villagers have kids who can’t afford schooling, while others have a bleak future ahead of them.
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Kogutu is a poor, east African village in Kenya. Photos of Lauren DeFilippo a nd Sam Soko by Jeff Harris. Hi, this is Daniel Garber at the Movies for and CIUT 89.5 FM.